Featured: THE ART OF DYING by Rob Moll [Vol. 3, #31]
Friday, August 27th, 2010
“Facing Death Head On”
A Review of
Art of Dying:
Living Fully into the Life to Come
By Rob Moll.
Reviewed by Jasmine Wilson.
Art of Dying: Living Fully into the Life to Come
By Rob Moll.
Paperback: IVP Books, 2010.
Buy now: [ ChristianBook.com ]
I once had a philosophy professor who started her Aquinas class on the virtues and vices by having her students write their own eulogy. Her purpose in this exercise is both to introduce students to thinking critically about life, but also to analyze where they are in terms of virtue development. What would people say about me if I were to die now? The second part of the exercise is to write the eulogy that you wish was delivered. What sort of person do I want to be when my life is complete that I perhaps am not right now?
Rob Moll’s book, The Art of Dying: Living Fully into the Life to Come, has a similar mission. Moll argues that it is only by facing death head on that we can authentically live. His book is a well-balanced mix of historical information about how Christians have practiced death, personal story-telling from his experiences with the dying from his job in hospice and the stories others have shared with him, partly a how-to manual, and partly a foundation for contemplative conversation with friends, complete with a useful discussion guide. All these elements mix incredibly well together to encourage the reader, no matter what age, to think about the best way to die in a Christian manner, and to have conversations with others about it.







Natural Houses:
The city of Indianapolis – where I live – like many American cities has experienced huge amounts of suburban and exurban sprawl in the last decade. Within the last two years, it has been reported that for the first time in human history, more people live in cities than in rural places, although those numbers owe much to these sprawling, never-ending bedroom cities, so far removed from the city core, and hardly fair to be categorized as ‘urban’ at all. Many of us have watched the cycle of a farm stripped of all features, leveled, pipes buried, roads and curbs laid, and anonymous, windowless, porchless beige boxes spring up in record time. This widespread, wasteful suburbanization is completely oblivious to the place where it exists, what has been displaced for it to be there, how the place might inform how it is developed, and on and on. Fortunately, there is an alternative, and two new architecture books that both take place, site-specificity and local resources as their starting place and help us to imagine living places that acknowledge and participate within their context are Natural Houses: The Residential Architecture of Andersson-Wise and Rematerial: From Waste to Architecture.
In The Shallows: What the Internet Is Doing to Our Brains, Nicholas Carr fittingly quotes John Culkin: “We shape our tools, and thereafter they shape us” (210). Culkin’s observation and Carr’s article 







