Featured: WHEN GOD TOOK SIDES by Marianne Elliott [Vol. 3, #9]
Friday, March 12th, 2010
“Deep Below the Surface
of the Tragic Violence “
A Review of
When God Took Sides:
Religion and Identity in Ireland — Unfinished History.
by Marianne Elliott.
Reviewed by Mike Bowling.
When God Took Sides:
Religion and Identity in Ireland — Unfinished History.
Marianne Elliott.
Hardback: Oxford UP, 2010.
Buy now: [ Amazon ]
Personal identity dictates who our friends are in most cases, and who we think we are contributes in a powerful way to who we list as enemies. Our friends always seem better than they really are and our enemies are never as bad as we think them to be. Apply this rationale to the last 500 years of Ireland’s history and you have the essential premise of the recently released book written by Marianne Elliott entitled When God Took Sides. Elliott, who was born and raised in Northern Ireland, teaches Irish Studies at Liverpool University. As co-author of the report from the Opsahl Peace Commission in Northern Ireland (1993), she brings a wealth of experience and understanding of the peace process in Northern Ireland. Although the foundation of the book is lectures she delivered at Oxford University in 2005, Elliott’s work flows more like detailed (and well-documented) storytelling than academic analysis. She ventures deep below the surface of the tragic violence which has appeared as an ugly scar on the face of an otherwise beautiful people and place. Elliott does not settle for a simple recounting of the seemingly endless story of action and reaction, murder and revenge or blame and defend; she offers the reader an explanation of how this cycle began in Ireland, how it was perpetuated and how it continues to this day. The results are not only important for those who hope to understand existing tensions between Northern Ireland and Great Britain or the more subtle tensions between Catholics and Protestants in the Republic of Ireland, Elliott’s work provides a model for understanding other conflicts throughout the world, especially those rooted in religion.
Elliott follows a thematic format instead of the typical chronological order. For those unfamiliar with Irish history and for those with only a cursory knowledge of “the Troubles” in Ireland, the book may be hard to follow. However, if the reader keeps in mind that the purpose is not a history of religion in Ireland, “Rather it is about politicized religion and how it came to shape the identities of people in Ireland.”, then the thematic plan makes much more sense. Again, the order of the chapters could provide a model for analysis of other critical historic conflicts (i.e. India and Pakistan, the civil war in Nigeria or the tensions between Burmese and Thais).










On May 17, 1968, in the midst of the Vietnam War, Daniel Berrigan, together with his brother Philip and seven others, walked into a draft office in Cantonsville, Maryland. They commandeered draft files, which contained the information for potential draftees, took them into the parking lot and burned them with homemade napalm. Daniel Berrigan issued an apology (read: defense) on behalf of the ‘Cantonsville Nine’ (as they came to be known): “Our apologies, good friends, for the fracture of good order, the burning of paper instead of children, the angering of the orderlies in the front parlor of the charnel house. We could not, so help us God, do otherwise” (105).
One of the things that we have worked really hard to do as Englewood Christian Church over the past two decades is to gather our neighbors for conversation on imagining what the common good for our neighborhood might look like. So when the city of Indianapolis declared our neighborhood and the surrounding ones as a “redevelopment zone” several years ago, we played a key role in gathering neighbors to craft – over the course of a year – a specific plan for how we wanted to see our neighborhood improved in a way that would minimize gentrification and not drive out the neighbors who presently live here. We work with our neighbors in this way because we believe that God is at work, redeeming creation, and that this work of redemption unfolds primarily through the faithfulness of church communities who imagine and discern God’s redemptive work in their specific places. With these convictions and the experiences of our church community at the forefront of my mind, I was very eager to read Walter Brueggemann’s ideas in his newest book Journey to the Common Good.
Looking at the church today we may well wonder what God was thinking. Our congregations are filled with lax believers, pulled by the world, this way and that. Looking around at the group of people filling the pews on a Sunday morning we think, surely this isn’t what God had in mind. If only we could be like the early Church, we say, when Christianity was vibrant and authentic and not nearly so lazy and messy.
I first saw Paula McCartney’s Bird Watching images as large prints, framed with their identification cards (including the birds’ name, location, date, size, coloring, and remarks) and I was hooked with the Spotted Wren, photographed on the Southern Oregon Coast, “golden crown, spotted back and wings” with “a field of daisies was the perfect backdrop for this little bird.” The image is saturated green, interspersed with the yellow and white daisy heads, and the matching yellow and white of the wren. It is as perfect an image as I might hope for. By the second photograph, something was awry, and looking back again at the wren, it was clear: these are model birds, wires holding them onto their perches, painted feathers, glued-on eyes. And having realized this artifice, the images are all the more enticing. First, there is the simple joy of recognition, which is a result of careful looking, and not afforded to anyone breezing past the surface of the photographs. Furthermore, though, there is a significant conceptual shift that complicates these images, asking questions about photography and looking at nature.
Bird Watching has also existed as an edition of hand-made books by McCartney, and has just been published as a full monograph of these clever and beautiful prints, with identification texts and accompanying essays. Located in several locations in the US, McCartney’s birds exist in immaculate landscapes in which the birds complete the scene, and are often described in language questioning our own expectations of ‘nature,’ or the conventions we might expect nature to offer up to our looking (e.g., the sublime, the picturesque). To that end, two Barn Swallows “elegantly turn their heads toward the camera,” Vermillion Flycatchers are “enjoying the view by the lake,” and an Aqua Tanager “stopped and patiently posed for his portrait.”
Worshiping with the Church Fathers is the third volume of Christopher Hall’s four volume work on the Church in its earliest centuries. This new volume, looks specifically at the sacraments of baptism and Eucharist, the practice of prayer and the spirituality of the desert fathers. His objective is:
Think of the Samaritan woman at the well from John 4 — the one who has had five husbands and who is, at the time of meeting Jesus, living with a man who is not her husband. What is your mental image of her? If you’re like many Bible-readers, you may think of her as a “loose woman.” Some interpreters have even called her an outcast in her community, forced to go to the well by herself because no reputable woman would want to be seen with her. This characterization is dead wrong, argues Lynn Cohick in Women in the World of the Earliest Christians.
The new book, Doomed Edifice: The Eclipse of the Prophetic Ministry and the Spiritual Captivity of the Church by P.W. Baker piqued my interest with its promise of reflection on early Church history from a viewpoint influenced by the late social critic Ivan Illich (
Richard Stearns’ recent book, The Hole is our Gospel is a testimony in the old-fashioned sense of the word, the story of a life transformed by the good news of Jesus. Stearns recounts how he rose to prominence in corporate America, and eventually – after much resistance – became the president of World Vision. In parallel with the story of his career, Stearns also tells the story our how his understanding of the Gospel was transformed. He explains this shift in the book’s introduction:


