This brief essay by ERB Editor C. Christopher Smith,
originally appeared in the very first print issue of our magazine (Advent 2010)…
We reprint it here today in honor of Allen Ginsberg’s birthday.
Didn’t know that we have a print magazine?
Get more info and subscribe now…
How Not To Be A Counter-Culture:
A few thoughts occasioned by a reading of Jack Kerouac and Allen Ginsberg’s correspondence
Jack Kerouac, Allen Ginsberg:
Bill Morgan & David Stanford, editors
by C. Christopher Smith
I have long been intrigued by the works and lives of the Beat writers, the spontaneity and attentiveness of their works combined with their critiques of the stifling culture of post-World-War-II middle-class American Christianity have been particularly appealing to me. Although the term “Beat Generation” is commonly used to refer to wide array of American counter-culturalists from the mid-1940s to the early-1960s, Jack Kerouac’s assessment in the essay “The Philosophy of the Beat Generation” (Esquire 1958) that the “Beat Generation” was a short-lived phenomenon in the late 1940s among a tight-knit group of friends based in New York City is widely accepted today. In order to understand this movement, if we accept Kerouac’s definition, we would do well to examine the relationships between those in this seminal group of New York friends. Key among those friends are Kerouac himself and Allen Ginsberg, and there is no better way to trace the arc of their friendship than by examining their correspondence. Thankfully, for ones like myself who have an interest in this sort of study, the bulk of the correspondence between these two writers has recently been published by Viking Books. This volume, entitled Jack Kerouac, Allen Ginsberg: The Letters, paints a vibrant picture of the counter-cultural movement spawned among Kerouac, Ginsberg and their New York friends and its infusion across the American landscape in the 1950s and early 1960s.